The above digital painting is Where The Old West Greets The New, Declassified from the Remixing the Hanford Declassified Project series of paintings.
Based on govt photos documenting the birth of the atomic era, I re-examine the cultural context and do digital paintings...with a twist
That the plutonium dropped on Nagasaki was made at Hanford in southeastern Washington State, or that Hanford is said by some to be the most toxic site in the western hemisphere, and one of the most polluted sites in the world, is still, I don't believe, known by many. One hears a lot about Los Alamos but not so much about Hanford, though leaking tanks have contaminated the groundwater and created a plume that will eventually reach the Columbia River if not contained.
I grew up in Richland, a town that was built by the Manhattan Project to house workers at Hanford and which remains so proud of its heritage that the mascot of the Richland high school is a bomb, the students are known as The Bombers and the emblem of the school is a mushroom cloud.
My father was a scientist at Hanford through the 50s and 60s, studying the effects of low level radiation on miniature livestock and when I was nine years of age I was one of the many school children in Richland who took part in a very casually portrayed testing on the possible transmission of low level radiation through local dairy and food. So, though we moved away from Richland when I was ten years of age (to Augusta, Georgia, located next to the Savannah River Plant, which was another plutonium production facility and has its own troubled history) the area has been an abiding interest of mine, for Richland has a rather unique history and was an unusual place to live.
In many ways it was a great place to grow up in, for the government and the town, even while poisoning the area, attempted to make Richland as attractive as possible to families, most of which were youthful with young children.
I had approached some of the issues concerning Hanford in my book Unending Wonders of a Subatomic World or In Search of the Giant Penguin, but in the latter editing stages decided that this subplot was inessential and removed it. But I still wanted to do something concerning Hanford/Richland.
When I learned of the Hanford Declassification Project which recently made available nearly 77,000 photographs and other documents, I was greatly interested.
The description of the declassification project from the Hanford Historical Declassification Project website reads:
The Department of Energy, Richland Operations Office (RL) has aggressively implemented the commitments made by the Federal Government to openness in Government which was stated as a "Fundamental principle that an informed citizenry is essential to the democratic process and that the more the American people know about their Government, the better they will be governed. Openness in government is essential to accountability . . ." RL is committed to responsible openness. The Hanford Declassification Project (HDP) was initiated by RL to declassify to the maximum possible extent all previously classified Hanford operations information (documents and photographs). There are over 77,000 declassified photographs of early Hanford (1943 - 1960) available. These World War II and Cold War era photographs depict early Hanford construction and the employees/families who lived and built/operated the site.
The archive first captured my imagination when a search for the words "Nagasaki" and "Hiroshima" yielded no results. It was curious to me that Nagasaki and Hiroshima had been excised so neatly from the declassified documents for this portion of the Manhattan Project, which made me wonder what I could find using keywords one wouldn't associate with the bomb--such as dancers. Thus was initiated my own ongoing project of taking the photos and using them as base for digital paintings and collages, attempting to examine cultural context and--with the images and commentary--make a bridge between Hanford/Richland and Nagasaki, between the atomic era then and nearly three-quarters of a century on.