Link to more commentary on Jill Greenberg's "End Times"

Stone Bridge has written a post Jill Greenberg and the boundaries of art, expanding and digressing on a comment that he’d made here.

It’s interesting that the apologiae for Greenberg in the comments to Hawk’s original post all resort implicitly to the the romantic cult of the artist as Nietzschean ubermensch. Strange that this (you’d think) archaic religious system has survived intact, in all the arts, from the late 19th century through modernism and whatever chapter and verse of post-postmodernism we are living through now. Its persistence probably deserves some sort of attention.